Song Bridge (September 2022)

Image: Three photos of Matthew’s head ascending from the bottom left corner to the top right corner, green-lit and facing left with relish, blue-lit looking up expectantly, and fuchsia-lit looking right with unease, respectively.

You were a child, and that child is still in you. Without looking at the past and forgiving little you, there’s no way future you can get past the past.

After years of working as a teacher, organizer, and facilitator, Matthew Armstead is pushed inward to show themself the care and accept the support they show others. Through poetry, movement, and song, Matthew embodies a chorus of voices. Black people don’t have to be perfect. Queer fam don’t have to perform to be cool. We all just get to be. Yes and…you get to forgive yourself.

Song Bridge is a compassionate journey about learning to sing again. Travel across time together toward collective healing.

Dates & Location

Sept 11 at 5:30pm
Sept 18 at 2:30pm*
Sept 25 at 2:30pm*

MAAS Studio, 1320 North 5th Street, Philadelphia, PA 19122

Get Tickets Here

*These dates the show is followed by a talk back.


Song Bridge was developed in Café Darkness: A Writing Workshop for People of Color.

Audience reflections on Song Bridge:

“Joyful, vibrant, heart tugging, and spell binding. Matthew has the poet’s gift of making the personal universal, which they use to weave through memory, emotion, and song, drawing in the audience with a master crafter’s skill. Each listening or viewing is an emotional outpouring allowing an unfolding of shades of meaning and layers of emotional experience that echoes from your own heart. A cathartic, uplifting, performance experience.”

“You don’t want to miss what Matthew’s going to do. It would be a mistake. Bring a group or the church van.”

“An opportunity for soul retrieval, in that it’s an opportunity to see parts of our/yourself that you may have lost along the way. And the way in which Matthew presents gives audiences an open door to possibly relocate those parts for reintegration.”

Song Bridge is co-produced the Cannonball Festival , where informal and formal discussions will follow most showings.

Cast & Crew Credits

Matthew Armstead - Creator & Performer, Rhetta Morgan - Director & Container Holder, Cat Ramirez - Director & Producer, Dwight Dunston - Space Holder, Ingrid Lakey - Space Holder, Karen Orrick - Space Holder, Robert Carter - Production Photography

Access Information

The MAAS Building has an outdoor garden with a cobblestone entrance on 5th street where the box office is located along with a local chef selling food, a fire pit surrounded by bench seating, cocktail tables with high chairs, covered area with limited bench and chair seating, and a bar with alcoholic and non-alcoholic drinks.  There is an entrance on Randolph street with a smooth floor and a restroom on the ground floor is accessible by a wheelchair or other assisted mobility devices. Unfortunately, the MAAS building is not ADA accessible as stairs are the only way to access the Studio, the indoor performance space on the second floor.


Cannonball Festival is an independently produced performing arts festival, concurrent with the Philadelphia fringe, that presents risk-taking independent artists in back-to-back performances next to delicious lounge spaces, fostering creative collisions and community conversation.

.

Philly Fringe is a 4-week long, city-wide celebration of innovation and creativity in contemporary performance. Each September, the Festival explodes into every nook and cranny of Philadelphia with more than 1,000 artistically daring performances, including national and international performances curated by FringeArts, and works that are produced by independent artists and promoted by FringeArts.

Frontline Health Workers Digital Theater Project (2022)

A peach to copper gradient background with silhouetted surgical masks. The foreground has black stage lights at the top shining down over the title text.

The Frontline Health Workers Digital Theater project created by Elevate Theatre Company, LLC in partnership with Penn Nursing uses the viewpoint of those working in the Penn Medicine health system as inspiration for two original digital theatrical performances. The plays are based on the first-hand perspectives of frontline health workers and will be followed by a panel discussion with Penn Medicine and Penn Nursing health experts covering themes of burnout, vaccine hesitancy, medical racism and how art can be leveraged to heal.

The Plays

Silos By Nikki Brake-Sillá

SILOS, transpires over one day at a hospital, two years into a global pandemic. Over the course of this day, we see first hand how shared trauma has strengthen the bonds between people while they rely on each other for support, strength and hope.
Matthew Armstead performed Dr. Omarion

A Soft Landing By Ang Bey

Did you know there’s music on the moon? Astronaut is a nurse, treating patients during the COVID-19 pandemic. Dad is one of them, trying to get better. Child is a poet, struggling to understand. All are alienated, pining for reconnection with the world. Tonight, will they land in a place where they can better care for themselves and each other? A Soft Landing is an intimate, grounded look at the public health issue plaguing the nation.

Full project Information

Watch Now

Source: https://elevatetheatrecompany.com/frontlin...

Visions (2021)

The Church of Loneliness. A vintage cyberpunk cafe. Government-mandated sex talks with your dad. Each week, award-winning Philly playwrights present short, fresh plays that explore faraway places and radical themes about humanity’s future.

VISIONS is a three-week work-in-progress series showcasing 10 playwrights. Each week a different group of writers present brand new performance pieces inspired by outer space, technology, religion, the future, and more. Come back the next night or the next week to see a new Vision!

Church of Loneliness by Carl(os) Roa
Matthew Armstead performed Founder

Pirate Queen: A 10-minute Verse Play in Queer by Nick Jonczak
Matthew Armstead performed Slip the Groundskeeper

A purple gradient background A person in the foreground wearing futuristic sunglasses with red lenses and green frames that contrast their terra-cotta colored skin, purple lipstick, and black hair.

Cannonball is an independently run satellite festival that takes place September 9th through October 2nd, concurrent with the Philadelphia Fringe. The festival highlights over 150 events spanning theater, dance, circus, and film, including our 30+ mainstage shows, nightly cabarets, pop-up events, workshops, artist talkbacks. Cannonball celebrates forward-thinking, adventurous artists who take risks, rethink the present, and imagine a better future.

Philly Fringe is a 4-week long, city-wide celebration of innovation and creativity in contemporary performance. Each September, the Festival explodes into every nook and cranny of Philadelphia with more than 1,000 artistically daring performances, including national and international performances curated by FringeArts, and works that are produced by independent artists and promoted by FringeArts.

Source: https://fringearts.com/event/visions/

Boy Project (May 2020)

What does it mean to become a man in an era where gender is fluid and masculinity is often villainized? This theatrical production is the culmination of months of story circles and workshops with non-binary, trans, and cisgender boys. These boys, ages 12-15, tell stories, enact fantasies, compose original songs, and contemplate questions of desire and power. Part of FringeArts High Pressure Fire Service Festival in Spring 2020.

Pigs In a Blanket (2019)

Pigs In a Blanket

Pig Iron is throwing a slumber party! Break out your footie pajamas and ouija board, and mark your calendar for an evening of pillow fights, truth or dare, and sneaking sips from your parents' liquor cabinet. It's our annual benefit and cabaret, and the most popular girl in school–Martha Graham Cracker, duh!–will be there along with some of her coolest friends. Acts will include:

The comic magic n’ mayhem of Trey Lyford
The furious drag stylings of Matthew Armstead
A juicy slice from Dear Diary LOL by Antigravity Performance Project
The sensual human pretzels of the alluring Matter Movement Group
and more!

Friday, February 1. Doors open at 7:00pm. Show at 8:00pm.
Trocodero Theatre, 1003 Arch St., Philadelphia, PA 19107

$25-30. Tickets at https://pigiron.ticketleap.com/blanket/

Photo by John C. Hawthorne / Courtesy of Pig Iron

Pig Iron School / MFA Performances (2017-2018)

Each week during my MFA program, I collaborated to create a new piece of theater. Here are a sampling of photos from public showings of this work. Photos courtesy of Lindsey Browning & John Hawthorne.

2052: Five Weeks Closer (2017)

In this 45 minute show, audiences go through a portal into a world without oppression. They are met by people who sing and reflect a different way of being. As audiences enter different rooms, they like the characters become freed.

Project forward, out of the current moment. And remember we can create the futures we imagine.

2052: Five Weeks Closer was created based on the question, "If all the oppressions on you were gone, how would you arrive?" In the days surrounding the 2017 presidential inauguration, when folks were bracing for what lay ahead, this ensemble took five weeks and stretched into a vision about what is possible. This was an immersive piece invited audiences of all ages to live into wholeness as they experience three visions of a world without oppression.

Created and Performed by Matthew Armstead, Mo Burroughs, Ociele Hawkins, and Rhetta Morgan
Directed by Matthew Armstead

It was performed in January 2017 to packed crowds at the Community Education Center in Philadelphia.

Testimonials

"SO INSPIRED. I finally had an answer for how theatre will be useful the next four years; to help revolutionaries imagine the world they want to live, and perform their new selves until it becomes reality."

"Amazing. Like I had really just time traveled. Or like I had just taken some incredibly potent healing elixir for my heart. My imagination felt opened in a way that it hasn't lately. I felt light. And ready."

"Transformative. Healing. Possible."

 

"It was deeply moving. I reveled in the invitation to imagine with the actors. At the end of the final piece, my son said he felt so comfortable that he didn't want to leave!"

Inspira: The Power of the Spiritual (2015-2016)

Inspira is a performance project that incorporates audiences' feelings and thoughts in an improvisational presentation of West African, jazz-inflected spirituals. From the opening notes of "Hush, Somebody's Calling My Name" to a classical violin mashup of text and voice featuring Lincoln's Emancipation Proclamation and Dr. King's speech; from Tiananmen Square Protesters' "We Shall Overcome" in 1989 to the piece's climax "Ferguson Diaries," Inspira creates breathing space for people to share grief, anger, and love.

Created by a multiracial and multigenerational ensemble, INSPIRA includes Francis Wong from San Francisco Chinatown on tenor sax, classical violinist Michael Jamanis, Philadelphia vocalist and community organizer Matthew Armstead, and playwright Amanda Kemp.

Photos by Jennifer Felty.

Find our more about upcoming performances and booking at http://dramandakemp.com/inspirats/

Find audio recordings at
https://amandakemp.bandcamp.com/album/inspira-the-power-of-the-spiritual

Daring to Stand Up (2015)

Daring to Stand Up was a performance lecture given as the 2015 William Penn Lecture for the Philadelphia Yearly Meeting (Quaker).

Event Description:

A look at the news tells us something is shifting. Within two months, we had the 400,000 strong Peoples Climate March in New York City to the uprising against injustice in Ferguson. Today many people have followed that “still small voice” through the storm toward new ground. What is possible in this moment?
This time calls for us to find the abundant resource around us every day. Taking lessons from the social movements, the arts, and physics, Matthew will walk through contemporary sources of inspiration that illuminate the opportunity to reconnect reflection and action. This William Penn Lecture is an invitation to bring yourself more fully into this moment as a ripple in the tide.

Ferguson Freedom Fighters (2014)

Ferguson Freedom Fighters was an interactive story-telling event created after I returned from Ferguson, MO in 2014.

The storytelling event was propelled by audience questions. Each story focused on moments unseen by the media cameras: the local organizing that supported an uprising, an off-the-map town thrust into the national spotlight, the depth of the police state, and the relationships and growth that emerged after Michael Brown's murder. This piece debuted at the University City Arts League and was restaged at Haverford College.

The initial event included an art installation by Laura Mecklenburger titled Bind the Police. Visit Laura's Flicker Page to see photos of the installation.